Alessandro Rosi and two amazing examples of old master paintings

Alessandro Rosi (Florence 1627-1967) a) St. Agatha cured by St. Peter b) St. Christine

a) A)  St. Agatha cured by St. Peter
Oil in octagonal canvas, cm 98×77 and cm 94×78
In engraved and golden wooden frame (total measures cm 125×114)
B) St. Christine 
Oil on octagonal canvas, cm 98×77 and cm 94×78
In engraved and golden wooden frame (total measures cm 125×114)

Taken from the attribution sheet of Dr Francesca Baldassari, dated: Florence, 7th May 2019

“Two canvases must be attributed because of stylistic evidence to Alessandro Rosi’s catalogue, original and complex artist, who formed at the school of the brothers Cesare and Vincenzo Dandini.

Following new and decisive experiences, such as the study of Lanfranco and Pietro from Cortona, Rosi, starting from the 50s of the 17th, adopted that style which led him to success and which also marks these canvases: dense and catchy brush strokes, swollen drapery, vivacious and varnished colours, decisive games of chiaroscuro. 

Both the episodes […] are observed from a close point of view which highlights the expressions and the gesturality of the figures.

 […] The mute dialogue, soaked in religious zeal, weaved between the two protagonists, both caught from the profile, it is enriched with details made with calligraphic precision and material richness: the sacred book and the palm of martyrdom in the foreground and the three blonde cherubs with the hair in the wind in the background. […] The range of colours of the clothing of the protagonists is very vivacious […].

In the pendant the tortures inflicted by the father and the emperor to the young and very beautiful Christine are represented. She was firstly segregated in a tower and later ran through with an arrow following her obstinacy not to retract Christian religion. Her livid ruddiness is an evident sign of the suffering she is subject to.

[…] The same pose for the same protagonist has been repeated by Rosi in the canvas depicting the Martyrdom of St. Christine stored in the Badia of San Michele Arcangelo in Passignano, which could be dated to 1686-1687.

A similar chronological collocation is to be extended to the couple of octagons under examination, destinated to private devotion, as indicated by the octagonal format too. The comparisons inside the pictorial catalogue of the last two decades of Rosi’s activity are exemplary. […]”

of Francesca Baldassari

Valuation of old master paintings

Antichità Giglio deals with the purchase and sale of old master paintings, paintings from the 15th, 16th, 17th and 18th century, offering free, quick and professional valuations.

The valuation of an old master painting requires a careful and complex analysis of an expert eye and represents a fundamental moment for who intends to sell or purchase a painting. Only after a careful analysis it is possible to offer a commercial estimation.

To offer the estimation of a painting, many are the aspects that need to be taken into consideration, not only objective but subjective too. Among the objective aspects the epoch, the author, the preservation state, the technical quality, the quality of the material and the dimensions are included.

In the establishing of the value of a painting, subjective aspects also need to be considered, among which the aesthetic value in its complexity, the pleasantness of the subject, the visual impact and the expressivity of the piece. These aspects are certainly only valuable by an art expert.

The valuation of an old master painting with Antichità Giglio is free, if aimed at selling, even without constraints. It is simple, professional and quick, it is enough to fill in our online form or to send some pictures and a brief description to our e-mail info@antichitagiglio.it or on WhatsApp to the following number: 335 63.79.151.

The first definitive estimation can only be made following a careful and in-depth analysis in person of the piece into account. Lino Giglio is enrolled in the Association of Art Collectors of Italy, in the Italian Federation of Art Dealers and in the Association of Art Collectors of Milan. Furthermore, he is sided by a staff of experts, capable of solving sales of old master paintings in tight technical times.

Antichità Giglio is located in Milan but offers a service of valuation of old master paintings in the whole of Italy.



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